Tag Archive for poetry

The Killing Fields Of Home

It is a most difficult task to make sense of violence, particularly when it often seems unceasing.  There have been numerous horrific acts of murder recently, and in trying to write about them, it feels important to see these events not only as individual incidents but to also make the connections between them, both in why they happen and how we process them.  The following is a poem I wrote in response to the bloody and heartbreaking first week in July, 2016.

The Killing Fields Of Home

 

On July 4th,

 

when I was trying to make sense

of the bombings in Medina and Baghdad

on the very same day that the not so United States of America

was ritually celebrating what we call independence,

with colorful bombs bursting in air,

 

it seemed really important to remember that

the children who saw real bombs were shouting not with glee

but with fear before bleeding to death,

so I wrote haikus about that,

little poems like the children who died–

 

one for Medina,

 

Bombs bursting in air,

bodies explode, people die–

no celebration

 

and one for Baghdad,

 

Car bomb in Baghdad,

the twenty five kids who died

did not like fireworks

 

and I thought I had done my duty as a poet,

but then I read that dozens of people were shot

in Chicago over the holiday weekend

for who knows what reasons and they were bleeding too

and we haven’t even caught our breath since Orlando

and it occurred to me that maybe I needed to write a longer poem,

 

then Alton Sterling and Philando Castile

were gunned down by the police

because the color of their skin was a crime

and Melissa Harris-Perry wrote about how that feels

as a suicide note that I can’t stop reading

 

on the heels of the Chilcot Inquiry that minces no words

blaming Tony Blair for lying to his country about the Iraq war

while in this country we turn endless battle into

an anthem and Bush and Cheney just smirk

 

as a veteran of war,  taught to kill in defense of our country,

shoots at the police in Dallas and more blood is spilt

and they send in a robot to take him out

which prompts Donald Trump to want a photo op with the NYPD

and I’m wondering if a sonnet is adequate

 

when my morning paper tells me that there have been

ten gang killings in ten months in the county where I live

and they have a column too about the child

of a woman who was killed by her boyfriend

 

and someone says we should all remember that

sometimes the police help and he tells a story

about a police officer who helped a lady repair her mailbox

and that was mighty nice of her, and I mean that sincerely,

but I’m thinking that sounds like a bandaid story

when we need a tourniquet because

 

a GOP Congressman says there are a lot more steps to be taken

before they will vote on gun control legislation

and I’m wondering how many steps there could really be

from his office to the floor to take a vote and when are we going to

quit playing six degrees of separation and take action

 

and in the time I have been writing this,

more people have been killed,

and I cannot type fast enough to keep up,

or even pause long enough

to  pretty up this poem that cannot find its end.

 

–Lucinda Marshall, © 2016

 

5 Poems-Columbia Journal

Many thanks to Columbia Journal for publishing five of my poems, If Unencumbered (The Story Of A Life That Did Not Happen), Self-Destruction:, Sepia Legacy, What Can’t Be Buried, and You Are Who I’ll Become.

5 Poems Graphic-Columbia Journal

Teen Poetry Workshop At The Writer’s Center–Signup Info

I am very excited to be offering a workshop for teen poets at The Writer’s Center in Bethesda, MD this fall.

Here is the info about the workshop:

Days: 4 Saturdays
Time: 2:00 PM-4:00 PM
Dates: 10/10–11/7
Location: Bethesda
Level: Beginner/Intermediate

Young authors (ages 12-16) will learn to use workshopping techniques to fine tune, revise, edit, and present poetry. Participants will have a chance to share their work, respond to writing prompts, get feedback, and learn about publishing options. In the last session we will hold a poetry reading to share work with family and friends. Please bring a laptop, tablet, or paper notebook. If you are already writing poetry, please bring something you’ve written to the first session. No meeting October 31.

You can sign up for the workshop here.

New Poem–Kaddish Season

I’m very pleased to have my poem, “Kaddish Season” in the Summer, 2015 edition of Poetica Magazine.

Poetica Summer 2015 Cover

Articulation of a Dreamtime

Many thanks to Nortina Simmons for publishing my poem, Articulation of a Dreamtime in Sediments Literary Arts Journal’s Newbies issue. You can read the poem here, page 38 (although of course I encourage you to read all the other fine work in this issue as well!).

A Year Of Poetry

Sedona in the Fog, late fall, 2013

Sedona in the Fog, late fall, 2013
Photo by Lucinda Marshall, © 2013

It has been a year since I decided to re-enter the world of poetry writing.  Changing genres has been an eye-opening experience.  Giving myself permission to abandon complete sentences and paragraphs in favor of singular words and short phrases to convey my thoughts (and I don’t mean that in a Facebook status/Twitter sort of way) has been an exciting challenge, albeit involving far more frequent trips to the thesaurus in search of well-chosen words.  The relative brevity of poetry where less is often more challenges the writer to be deeply intentional in the choice of words.

One of the things that I like best about this genre jump is that it is far less frenzied than the 24/7 world of blogging/writing about current events.  Poetry allows the luxury of time to contemplate and consider that you often don’t have when addressing fast moving news items.  And there is space for fine-tuning and revision that you don’t have when your publishing turn around time is 10 minutes.  It has also radically enlarged the subject matter that I consider to be grist for the pen (or keyboard).  I’ve spent far more time writing about what I see in my immediate universe and am much more prone to personal observation and the sharing of emotion than in my longer form writing.

In this time I’ve been only minimally involved in political work although I am still a junkie when it comes to reading about issues.  And you know what?  I don’t miss it.  Well maybe a little.  I am ecstatic that sexual violence in the military (a topic I have written about countless times over the years) is finally getting the way overdue attention it needs and I am glad to see the health impact of military pollution (something I wrote about almost 10 years ago) getting attention too, and ongoing coverage of numerous other issues that I’ve touched upon over the years as well.  But I am also okay not continuing to write about these topics, at least not with every new twist and turn of an issue and I am much more cognizant of the wear and tear that comes with writing about such things year in and year out.

I am also enjoying (and learning from) opportunities to read my work out loud (thank you to The Writer’s Center for the always supportive atmosphere of their open mic readings).  It is interesting to explore the ways words work when spoken aloud rather than only silently read. For years, I used to tell my kids that the best way to proof-read their school work was to read it aloud.  But this goes beyond that and becomes an additional way of developing a poem’s cadence and flow.  And of course being a visual artist as well, I don’t hesitate to explore the visual presentation of the poem on the page.

The publishing side of the poetry world is still a conundrum to me.  With the advent of the internet, turn around time for publishing pieces about current news topics is sometimes almost instant, certainly in blogging and more than a few times, I’ve had editors at various publications post my work within minutes of my submitting it.

Not so the poetry world where some publications still demand that you send your work with a self-addressed stamped envelope so that it can be returned within the 6 months they demand to consider its worthiness for their august publication.  And they will not consider work that has been published elsewhere.  And bloggers, if you think you are underpaid, believe me, compared to poetry, you are sitting pretty.  There are numerous publications that charge fees to read work.  IMHO, the poetry business model needs some serious updating, it is self-defeating and limiting to the detriment of us all.

And while Creative Commons is often used in the world of internet publishing, it is almost invisible in the poetry world.  As a writer I have sometimes thought Creative Commons is overused and often abused, but it does have its place; in the poetry world however, most copyright discussion is as old-school as the snail mail submission policies.

That said, I am cautiously submitting work to various publications and am very pleased that the first piece that got accepted was a meditation about how we react to environmental disasters that will appear in the winter issue of Isle.

I wrote a poem recently about going on a hike and then coming home to the stillness of the night where there was space to create and conclude as needed.  And indeed, observing and honoring the path and dwelling in the spaces that we find leads us to the poetry of life.